Every blog has a time when it goes away then comes back again, doesn’t it? A lot’s happened since I lost posted here.. I’ve got a new studio happening, and an album coming out soon, so it’s time to fire up this old beast and set about putting my thoughts where my keyboard is, again.
Look at this will you. (Go ahead, I’ll wait..)
I Do Not Understand. Fairlight is coming back and for $20,000 you can own your very own piece of 8-bit sampling history. That’s fantastic for nostalgia buffs with more money than sense, but to imply there’s any musical value in the exercise is .. I don’t know .. stretching the point a bit. Why not just get the (equally awful) iPad app? You could get a keyboard controller and a dedicated iPad for under a tenth of the price of this re-issue and your audience won’t know the difference. Trust me, 99% of the time they won’t.
(I think Unca Tom’s already got this whole re-issuing old stuff because we have no new ideas thing pretty well nailed, so I won’t go there.)
I visited the Fairlight factory during a visit to Sydney as a spotty teenager back in 1985. I had imagined I’d just rock up to the place and there’d be a shop front and a couple of demo units on display, but it wasn’t quite like that. Luckily they took pity on me when I said I’d come from Tasmania to see the CMI, and I got a short but pants-wettingly exciting tour of their demo studio out the back. At that time, the CMI was all over just about every record I bought. Peter Gabriel IV was one of the earlier ones that I owned and I still love the distinctive, disturbing sound of that record. Jean-Michel Jarre’s Zoolook was a fine comeback after what I thought was the somewhat limp Magnetic Fields. And of course Ms Bush’s Fairlight album is one of the all time pop classics, as is Songs From The Big Chair.
Back then in the past it really was the future.
But times change, and things – particularly technological things – move on. The thing that gave the Fairlight its distinctive sound was the awful sample resolution. A lot of people had to employ programmers to actually operate the thing because the software interface – although admittedly revolutionary at the time – was diabolical. And of course similar to today it required a mortgage or some extremely dodgy business practices to actually own one.
So now we have all this nostalgia wave and the chance to pay $20,000 for an instrument that frankly, half a dozen apps on my phone could eat for lunch.
I Do Not Understand.
Money factor aside, why ride a Penny Farthing when you can get a modern bicycle with all the improvements that have been added over the years and enjoy a smoother, less ridiculous-looking ride? Your audience DOES NOT CARE. (Unless they’re hipsters in which case you all deserve each other ;)
The more I work on my latest project recreating a style of early-80s electronic music, the more I realise it doesn’t matter a jot what tools you use. What matters is whether you can raise the hairs on the back of someone’s neck by playing a particular combination of noises at them. (C minor ninths always do it for me.) Peter Gabriel’s record still sounds distinctive to this day, but the live versions of the same songs carry just as much punch, his (incredible) backing band could still keep playing if you pulled the power chord out of the CMI – and you’d still cry over Biko.
You can carp on about vintage authenticity all you like but if you’re not getting an emotional response out of the music – I’m sorry but splooging your pants over a bit of gear doesn’t count – you might as well go and play with Excel spreadsheets instead.
- It says on the internet that Zoolok was released in 1984 – but I definitely bought it in ’85 from the new release bin of a record shop in regional Victoria. These days it’s hard to imagine not even knowing about an album for a whole year before it gets released in your own territory – but it happened.↵
Well here it is, Yet Another Blog. Welcome. As I’m reactivating my dormant music-making gene, I feel invigorated and inspired to write a bit about my experiences and thoughts on music in general and electronic music in particular.
The plan is that posts here will generally take one of the following forms:
- To begin with I’ve got a couple of ideas for Top x lists, with follow up posts to expand on individual items on those lists.
- As a project to brush up on my writing skills, I’m thinking of trying to condense years of pub blather with musical friends into something a bit more focussed, and in the process maybe clarify my own thoughts on these matters a bit more. This would also be a good place to make long-form written responses to Things I’ve Seen On The Internet.
- Archives: I have a stack of old Electronics & Music Maker magazines that to the best of my knowledge (ie I spent 5 minutes searching with Google) haven’t been put online in any complete form. The late seventies and early eighties were an important time in the development of electronic music and what better way to reminisce on the changes taking place then but with a look back at my teenage self’s favourite reading material. (No sniggering up the back, please)
- Similarly there’s a stack of old vinyl records that really should just be binned – but not before I have a good chuckle at the likes of Klaus Wunderlich and his Organ. (I said stop with the sniggering Smythe! And no, I’m not going to rip and upload them for you!) I’ve also got some old demo tapes of my own work going back to 1979. Mostly it’s rubbish – but what is the internet for if not for filling it with rubbish in the name of self-promotion.
- I’m doing a lot of toying with iOS apps for music, and I figure a review or two wouldn’t go astray by way of giving something back to the interwebs that’s helped me so much over the years. If I can find the gear reviews I wrote for a few local EM magazines back in the early nineties, they might make it up here too.
I’m going to try and stick to talking about music with electronics in it for the most part. (There, I’ve just broadened my scope by not calling it Electronic Music!) If it works out that I can keep up the writing, I’ll be sure to pontificate on my other favourite pub pontification subjects elsewhere.
So there you have it. I’m still tweaking the site layout and other wordpress joojoos, so please bear with me on that – but now at least I’ve written my first post and I’m ready to launch. There’ll be no fanfare – no running up and down the aisles, or bleeding of ears – just this and nothing more, at least for now. Stay, as they say, tuned…
Footnote: The work that goes with managing comments puts me off the idea of having them on this blog. If I could keep it to the level of “pub discussion with actual real-life people” then maybe… but I’ve been around, and I’m dubious. Tell me what you think in the.. er.. comments.