{"id":487,"date":"2013-05-06T10:49:34","date_gmt":"2013-05-06T00:49:34","guid":{"rendered":"http:\/\/dj2mn.f8.com.au\/?p=487"},"modified":"2019-05-15T09:54:38","modified_gmt":"2019-05-14T23:54:38","slug":"the-fairlight-is-the-penny-farthing-of-samplers","status":"publish","type":"post","link":"https:\/\/dj2mn.f8.com.au\/?p=487","title":{"rendered":"The Fairlight is the Penny Farthing of Samplers."},"content":{"rendered":"<p style=\"text-align: left\">Look at this will you. (Go ahead, I&#8217;ll wait..)<\/p>\n<p style=\"text-align: left\"><a title=\"Nostalgic Music Buffs Embrace The Return Of The Fairlight\" href=\"http:\/\/www.smh.com.au\/entertainment\/music\/nostalgic-music-buffs-embrace-the-return-of-the-fairlight-20130504-2j002.html\" target=\"_blank\" rel=\"noopener noreferrer\">Nostalgic Music Buffs Embrace The Return Of The Fairlight<\/a><\/p>\n<p><a href=\"https:\/\/dj2mn.f8.com.au\/wp-content\/uploads\/2013\/05\/penny-farthing.gif\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dj2mn.f8.com.au\/wp-content\/uploads\/2013\/05\/penny-farthing-234x300.gif\" class=\"alignleft wp-image-492\" alt=\"penny farthing\" width=\"140\" height=\"180\"><\/a><\/p>\n<p><strong><em>I Don&#8217;t get it.<\/em><\/strong> <a href=\"http:\/\/en.wikipedia.org\/wiki\/Fairlight_CMI\" target=\"_blank\" rel=\"noopener noreferrer\">Fairlight<\/a> is coming back and for $20,000 you can own your very own piece of 8-bit sampling history. That&#8217;s fantastic for nostalgia buffs with more money than sense, but to imply there&#8217;s any musical value in the exercise is .. I don&#8217;t know .. stretching the point a bit. Why not just get the (equally awful) iPad app? You could get a keyboard controller and a dedicated iPad for under a tenth of the price of this re-issue and your audience won&#8217;t know the difference. Trust me, 99% of the time they won&#8217;t.<\/p>\n<p>(I think Unca Tom&#8217;s already got this whole <em><a href=\"http:\/\/tomellard.com\/wp\/2013\/01\/korg-korg-korg-omg-korg-korg\/\">re-issuing old stuff because we have no new ideas<\/a><\/em> thing pretty well nailed, so I won&#8217;t go there.)<\/p>\n<p>I visited the Fairlight factory during a visit to Sydney as a spotty teenager back in 1985.&nbsp;I had imagined I&#8217;d just rock up to the place and there&#8217;d be a shop front and a couple of demo units on display, but it wasn&#8217;t quite like that. Luckily they took pity on me when I said I&#8217;d come from Tasmania to see the CMI, and I got a short but pants-wettingly exciting tour of their demo studio out the back. At that time, the CMI was all over just about every record I bought. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Peter_Gabriel_(1982_album)\">Peter Gabriel IV<\/a> was one of the earlier ones that I owned and I still love the distinctive, disturbing sound of that record. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Zoolook\">Jean-Michel Jarre&#8217;s Zoolook<\/a><a class=\"fn-ref-mark\" href=\"#footnote-1\" id=\"refmark-1\"><sup>[1]<\/sup><\/a>&nbsp;was a fine comeback after what I thought was a somewhat flaccid Magnetic Fields. And of course <a href=\"http:\/\/en.wikipedia.org\/wiki\/Hounds_of_Love\">Ms Bush&#8217;s Fairlight album<\/a> is one of the all time pop classics, as is <a href=\"http:\/\/en.wikipedia.org\/wiki\/Songs_from_the_Big_Chair\">Songs From The Big Chair<\/a>.<\/p>\n<p>Back then in the past it really was the future.<\/p>\n<p>But times change, and things &#8211; particularly technological things &#8211; move on. The thing that gave the Fairlight its distinctive sound was the awful sample resolution. A lot of people had to employ programmers to actually operate the thing because the software interface &#8211; although admittedly revolutionary at the time &#8211; was diabolical. And of course similar to today it required a mortgage or some extremely dodgy business practices to actually own one.<\/p>\n<p>So now we have all this nostalgia wave and the chance to pay $20,000 for an instrument that frankly, half a dozen apps on my phone could eat for lunch.<\/p>\n<p><strong><em><a href=\"https:\/\/dj2mn.f8.com.au\/wp-content\/uploads\/2013\/05\/Parked_penny_farthing.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dj2mn.f8.com.au\/wp-content\/uploads\/2013\/05\/Parked_penny_farthing-300x225.jpg\" class=\"aligncenter\" alt=\"Parked_penny_farthing\" width=\"300\" height=\"225\"><\/a><\/em><\/strong><\/p>\n<p><strong><em>I Do Not Understand.<\/em><\/strong><\/p>\n<p>Money factor aside, why ride a Penny Farthing when you can get a modern bicycle with all the improvements that have been added over the years and enjoy a smoother, less ridiculous-looking ride? Your audience DOES NOT CARE. (Unless they&#8217;re hipsters in which case you all deserve each other ;)<\/p>\n<p>The more I work on <a href=\"http:\/\/www.only1klaus.com\">my latest project<\/a> recreating a style of early-80s electronic music, the more I realise it doesn&#8217;t matter a jot what tools you use. What matters is whether you can raise the hairs on the back of someone&#8217;s neck by playing a particular combination of noises at them. (C minor ninths always do it for me.) Peter Gabriel&#8217;s record still sounds distinctive to this day, but <a href=\"http:\/\/en.wikipedia.org\/wiki\/Plays_Live_(album)\">the live versions<\/a> of the same songs carry just as much punch, his (incredible) backing band could still keep playing if you pulled the power chord out of the CMI &#8211; and you&#8217;d still cry over <em>Biko<\/em>.<\/p>\n<p>You can carp on about vintage authenticity all you like but if you&#8217;re not getting an emotional response out of <em>the music<\/em> &#8211; I&#8217;m sorry but&nbsp;splooging your pants over a <em>bit of gear<\/em> doesn&#8217;t count &#8211; you might as well go and play with Excel spreadsheets instead.<\/p>\n<p><a href=\"https:\/\/dj2mn.f8.com.au\/wp-content\/uploads\/2013\/05\/penny-farthing-crash.jpg-300.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dj2mn.f8.com.au\/wp-content\/uploads\/2013\/05\/penny-farthing-crash.jpg-300.jpg\" class=\"aligncenter size-medium wp-image-491\" width=\"300\" height=\"281\" alt=\"penny-farthing-crash.jpg-300\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"footnote-list\" style=\"display:inherit\"><span id=fn-heading>Footnotes<\/span> &nbsp;&nbsp;&nbsp;(&crarr; returns to text)<\/p>\n<ol>\n<li id=\"footnote-1\" class=\"fn-text\">It says on the internet that Zoolook was released in 1984 &#8211; but I definitely bought it in &#8217;85 from the new release bin of a record shop in regional Victoria. These days it&#8217;s hard to imagine not even knowing about an album for a whole year before it gets released in your own territory &#8211; but it happened.<a href=\"#refmark-1\">&crarr;<\/a><\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Look at this will you. (Go ahead, I&#8217;ll wait..) Nostalgic Music Buffs Embrace The Return Of The Fairlight I Don&#8217;t get it. Fairlight is coming back and for $20,000 you can own your very own piece of 8-bit sampling history. That&#8217;s fantastic for nostalgia buffs with more money than sense, but to imply there&#8217;s any &hellip; <a href=\"https:\/\/dj2mn.f8.com.au\/?p=487\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Fairlight is the Penny Farthing of Samplers.<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,3],"tags":[],"class_list":["post-487","post","type-post","status-publish","format-standard","hentry","category-ianap","category-music"],"_links":{"self":[{"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=\/wp\/v2\/posts\/487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=487"}],"version-history":[{"count":25,"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=\/wp\/v2\/posts\/487\/revisions"}],"predecessor-version":[{"id":554,"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=\/wp\/v2\/posts\/487\/revisions\/554"}],"wp:attachment":[{"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dj2mn.f8.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}